Logic Pro X: Six Tips & Tricks.Logic Pro X Tips & Tricks and more cool things
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Logic Pro - Resources - Apple - How Do You Mix And Master In Logic Pro X?
Similarly you want the main outputs of Logic linked to the speakers that you have connected to the outputs of your interface. All of this is included and you should only have to do this here very often it will already be set up for you.
In this case we want this track to be our record input so have assigned it to 1 on the Saffire. In our case we simply have the mono input from a synth. Here they are shown as channels 1 and 2 out. Our main inputs and outputs for our project are now set and our interface assigned. Enable this whenever you need to add notes to a busy project. Suddenly, all of your drums can share a single fader, and auxiliary effects added to a Stack will affect all sounds inside it in the same way.
These keep the plugins associated with a project active, making it easier than loading a whole new session. Switch it on by right-clicking the grey Control bar at the top, selecting Customize Control Bar and Display, and choosing Capture Recording. Need to grab a sound, some MIDI or automation data, or a whole channel setup from another project? Here's how to make yourself a master of imports…. Now we want to add something we created in another project. Step 2: We can browse to the relevant track without having to leave this project.
Click Browsers in the top right-hand corner, then All Files. Browse to the location and double-click the relevant Logic Pro X project. Step 3: Click the Content for the sound s you want - and, if you like, the auxiliary effects and automation you used, too, then click Add. The regions from that project will be added to your current project - move them, edit them and drop them wherever you like.
To edit the selections, click i in the top left-hand corner of the Smart Controls window then the dial you want to reassign, and browse through the parameters available for it. Did you know that holding Shift while cutting a region will cut it into equal segments?
At whatever point you use the Scissor tool to make the first cut measure, quarter note, etc. This is a simple way to make stutter edits and gating effects.
Once sliced, you can change the length, volume, panning and so on to create movement and motion on-the-fly. It seems like every soft synth and sample library maker uses conflicting MIDI controllers CCs to add life to their sounds. I now do most of my sound manipulations with just one wheel and one knob.
All composers for media are confronted with this scenario regularly: you are given a video to score, with dialogue on one channel and temp music on the other. If you want to hear the dialogue without the temp music, you have to pan the track to one side. You can see in the Track Editor that this file has two different elements on each side dialogue and temp music.
After copying the region to another track, I use the pull-down menu next to the input assignment to select which side of the stereo file to play. Simply copy the stereo region to another stereo track.
Now look at the channel strips for each one. The little button next to the input is where you choose if the track is stereo or mono. However, if you right-click on it, you will discover some interesting options including Left and Right only visible on stereo tracks.
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